Rudolf Klein

Ferdinand Hodler und die Schweizer

Publisher: Berlin: Internationale Verlagsanstalt für Kunst und Literatur G.m.b.H., n.d. (circa 1910s–1920s)

Folio [14 x 11 inches]

60pp.

German

Good

A large-format early 20th-century monograph on the Swiss Symbolist painter Ferdinand Hodler, one of the most important figures in European modern art. The work presents Hodler’s paintings through a substantial series of high-quality reproductions, including portraits, allegorical compositions, and landscapes, offering a strong visual survey of his style and themes. Issued during the period when Hodler’s reputation was being firmly established across Europe, publications like this were aimed at both collectors and institutions, and are notable for their emphasis on image over text.

Tan softcover portfolio-style binding. Illustrated throughout with numerous mounted and printed plates, including black-and-white reproductions on heavier paper. Plates are either tipped-in or printed separately and affixed to the leaves, typical of higher-quality art books of the period. Large folio format.

It is in Good condition, with damp staining to the front and rear covers and heavy chipping along the edges. Light toning and foxing to the first and last pages; otherwise, the interior remains mostly clean, with only minor signs of handling.